Friday, April 25, 2014
Drama
Well, some exciting news here (for me anyways). Earlier this month I was cast in a college production of And Then There Were None, an Agatha Christie play from the early 40s. 10 people are invited to stay at an island resort. When they arrive there, a voice comes out of nowhere and accuses each of them of killing someone specific. Then one drops dead from cyanide in his drink. They find that one of the little figures on the mantle-piece is smashed. I will be playing the part of General Mackenzie. He's the oldest in the cast, and as the play goes on, you start to wonder whether he's going senile. :) This should be fun.
Sunday, April 20, 2014
Freewrite - April 19th
Jimmy thought the man's nose was too big. He was wearing ratty clothes. He looked poor- he had dirt smeared on his face, and a tattered brown jacket that looked like it had barely survived World War I. He was talking too quickly. The man had come up and told him that he could get $100 on the spot. When he asked the man how? The man became very nervous. Now he was standing and blathering about something Jimmy didn't understand. He was only 11, but he didn't think anyone could understand what this man was trying to get at.
People passed on
the left and right. The man would glance at one of them every once in a while,
but he would always look at the ground, especially when they looked back.
"It's for my
daughter, you see." Jimmy cocked his head.
"So you're a daddy?" The man's face lit up.
"Yes, yes, that's it, I'm a daddy!" You would have
guessed that the man had just found out about her birth. "It's a
girl!" echoed through the boy's mind.
The man looked like he had won the lottery.
"And now I need you to use this-" he pointed to
what looked like a toy gun in his hand- "on me so that I can go and find
my daughter."
Jimmy scratched
his head. He didn't know what those medical doctors or those doctors that work
with the brain called crazy, but if he ever became one himself, he was pretty
sure that this man was crazy. He looked from the man's pleading eyes to the
object in his hand.
It was one of
those toys you'd expect to find in a toy store from the 1930s. A very small
one, bright red, with a ridge sticking up all around, showing where the
manufacturer joined the two halves together. And just like you'd see in those
science fiction movies of the time, there were three prongs with little metal
balls on them, coming off of the front of the gun. The barrel of the gun
narrowed and then closed off altogether to a point.
There's no point in making a gun if the
front is closed off. How are the bullets going to come out of there?
Suddenly the man
was moving. Jimmy found that his hand was open. The man slapped the device into
his hand, closed the boy's fingers around it, then took three large steps back.
"SHOOT
ME!" Jimmy stood, dumbfounded. He thought he should be embarrassed, but he
was too interested in the man to to that. What did he want? The man's shoulders
drooped, and it looked like he was going to give it up, to turn away.
A body was flying
at him. Without thinking Jimmy pulled his arm up and pulled the trigger.
Reflex. Jimmy blinked twice at what he saw, not understanding.
"Jimmy,
let's go!" Mrs. Rogers came stepping up to the corner of the sidewalk,
where she had left her son for a moment to run into the flower shop. But the
boy wasn't standing on the corner. He was bent in half, peering under a bench
which an older gentleman was sitting on.
"Jimmy!" the boy looked up, and she motioned with the bag in
her hand. "Come on, we can't be late."
"Mom, I'm looking for... looking for..."
"Looking for what? Hurry up, we've got to get home;
I've got to get dinner on."
"But he was just here." She sighed, and ushered
Jimmy away from the bench.
"Honey, you shouldn't bother that man. He's probably
waiting for someone."
"No, not him mom. I wasn't talking about that man on
the bench." She was already walking back to the corner.
"I'm sorry sweetie, but you'll have to tell me about it
on the way home. Now come on." Despondent, Jimmy trudged after his mom,
but not without several glances back to the street corner. The man was nowhere
to be found. All he had to show for the experience was a toy gun.
Jimmy couldn't
get away from the dinner table quickly enough. He had to know more about it.
Monday, March 10, 2014
Abby
Have you ever had one of those moments where Microsoft Word thinks it's more intelligent than you? For example, when I'm working on my latest project, it tells me that I have an extra pronoun in the following sentence;
"Gael quickly made herself comfortable, settling directly across from Andrew."
Apparently the program thinks the word "herself" is unnecessary. But if we edit that out-
"Gael quickly made comfortable, settling directly across from Andrew."
we have something which is clearly not an intended sentence. But, the computer insists, claiming that "herself" refers to a third, unnamed person. That makes a little sense. Let's say 'herself' IS another person, and that this other person is named Abby. Now we put Abby in her place and see what we get;
"Gael quickly made Abby comfortable, settling directly across from Andrew."
OK, that solves our 'herself is someone' problem, but is the settling part of making Abby comfortable? Gael is 'settling' something or someone, she's taking an action. This action has something to do with Abby, our pronoun-turned-person. And if so, what business is it of Abby's where Gael sits?
There are just too many unanswered questions.
"Gael quickly made herself comfortable, settling directly across from Andrew."
Apparently the program thinks the word "herself" is unnecessary. But if we edit that out-
"Gael quickly made comfortable, settling directly across from Andrew."
we have something which is clearly not an intended sentence. But, the computer insists, claiming that "herself" refers to a third, unnamed person. That makes a little sense. Let's say 'herself' IS another person, and that this other person is named Abby. Now we put Abby in her place and see what we get;
"Gael quickly made Abby comfortable, settling directly across from Andrew."
OK, that solves our 'herself is someone' problem, but is the settling part of making Abby comfortable? Gael is 'settling' something or someone, she's taking an action. This action has something to do with Abby, our pronoun-turned-person. And if so, what business is it of Abby's where Gael sits?
There are just too many unanswered questions.
Sunday, December 8, 2013
Novel project
Well, I've made some good progress.
Since I started last Wednesday (November 27) I've got a bit more than 17 pages, and it's likely to grow in size again soon. Not including extra material, outlines, lists, etc. I'm up to 10,527 words! As a general outline, most sites will recommend that a novel of standard length is 60,000 to 100,000 words, though of course many books go beyond that. Anything shorter than that is considered a novella. Google is helpful with the definition here! :S "A short novel or a long short story." In essence it's a short novel. Or something more than a short story, whichever you prefer.
In any case, the development of this story has been interesting. As I start many projects, I began with an ordinary person and had something strange happen to them. After a page or two, it quickly became very strange. Then I said to myself Hey, you've got something there! But this needs a backstory... So I retitled what I had as "Chapter 2" and went on to write "Chapter 1", which was much more serious than I anticipated the project would be.
I'm at that stage in the project where you just have to keep writing to get all your ideas on the table (no matter how much you/I cringe as I type them out.)
Since I started last Wednesday (November 27) I've got a bit more than 17 pages, and it's likely to grow in size again soon. Not including extra material, outlines, lists, etc. I'm up to 10,527 words! As a general outline, most sites will recommend that a novel of standard length is 60,000 to 100,000 words, though of course many books go beyond that. Anything shorter than that is considered a novella. Google is helpful with the definition here! :S "A short novel or a long short story." In essence it's a short novel. Or something more than a short story, whichever you prefer.
In any case, the development of this story has been interesting. As I start many projects, I began with an ordinary person and had something strange happen to them. After a page or two, it quickly became very strange. Then I said to myself Hey, you've got something there! But this needs a backstory... So I retitled what I had as "Chapter 2" and went on to write "Chapter 1", which was much more serious than I anticipated the project would be.
I'm at that stage in the project where you just have to keep writing to get all your ideas on the table (no matter how much you/I cringe as I type them out.)
Wednesday, August 7, 2013
My Next Project
I know that it's been a while since I've updated my site. This last month in particular, though, has been one where my interest in writing has been sparked again. I must say, as well, that I've come to a point where I'm telling myself; 'If you want to get serious about writing, you might as well start now and get a head-start on things.' That's why, in essence, I've decided to start work on my first novel. I'll have more updates soon.
Monday, December 10, 2012
A Step Into the World of Poetry
As a word of explanation, this is a poem that I wrote for a creative writing class. I turned it in, thinking it was incomplete. The next time we met, a few days later, the teacher asked me if she could publish it in the school's writing magazine! I also entered it into the college's writing competition and received second place for it, meaning it will go on to the state level! Unfortunately, I'll have to wait until February to hear about those results. Until then I'd encourage you to comment, and I hope you will enjoy this.
The Hunter
She sits, some would say, as
quietly as a mouse,
But the mouse is in the sweep of
her gaze.
Her spine is stiff, now she
prepares
To suddenly leap upon her prey
Her tail whips back and forth again
She lies very still so as not to be
seen
And while the mouse seems surely
caught
It may not happen as it’s been
deemed
For then a sound tickles her ear
The grass grows under her feet,
If only for a moment
Copyright Jackson Kerr, 2012
Monday, November 19, 2012
Another Short Story
An Act of Kindness
With
only a spattering of people, it’s clearly not a busy day at the diner. An aged
couple and what I guess was a grandkid sit to my right. The little boy looks to
be about five or six, and is continually entertained with his grandfather’s
antics. He makes a tent out of the napkins, talking about how Mr. Fork and Mrs.
Spoon are going camping that weekend. The little boy plays along and the both
laugh. The man’s smiling wife watches from beside him, face aglow.
In the corner
booth there’s a woman sitting by herself. She’s not much to look at, but there
is a sense of raw beauty about her that I can just feel; I don’t know how to
put it. In the way she holds herself, just her very existence. She is calm, and
yet on the brink of some kind of collapse.
As a regular
customer, she takes the usual: a bacon cheeseburger without the mayo (“less
fat” she tells herself). This was accompanied by a large fry and water. The
waitress, Donna, a nice girl, asks her if that’ll be all? The woman says yes
and is left to her thoughts.
It’s clear that
older man at the other table must have said something wrong. His wife gets up
and stares out the window. The man is sobered at this, and with a word to the
boy to stay quietly, goes to his wife’s side. I watch with interest. He doesn’t
say much, but what he said must have made an impact.
She turns to look
at him (a breakthrough in any angry girlfriend case of my knowledge) and they
smile at each other. Anyone could tell that these two have weathered the years
together. The smiles reflect not happiness, but joy; knowing it’s going to be
all right. They stuck with it because
that’s what people did in their generation. He then politely and quietly
escorts her back to the table, where the boy is amusing himself with the
napkins and table settings.
The
fryers around me bubble and sizzle. The kitchen sings to me with unique noises
and smells. That sounds odd (the grease and grime about the place would disgust
some people) but it gives me a sense of freedom. It’s not quite home, but a
place where you can be- you don’t have to think, just exist.
I
look back to the woman in the corner booth just as a man comes hurrying though
the door. She doesn’t look surprised, but there in my gut I have a feeling of
anticipation. I can feel the clouds gathering, and it looks like rain.
Bobby
calls to me about getting back to work, but it doesn’t register. The man is
obviously excited about something. He doesn’t really greet her, but starts talking
about what he just came from. I hear the phrase “new job” and the word
“opportunity”. The word “travel" makes an impact on her.
When
you talk to someone, there are different levels of interest. I learned this
stuff in a psychology class. If the person is interested, they’re looking at
you, and they’ve got that look with the tilted head that tells you they’re not
daydreaming. Then there’s the thing where, if you ask, they say ‘I’m
listening’, but you know they’re not. Their eyes are roaming, their heads are
up, but their eyes and thoughts are elsewhere.
This
is different. As he’s talking, her head is drooping more. At first I start
wondering if she’s sick. He keeps talking, though, she started fidgeting less
and less. It’s obvious that he’s thought this all through; he’s not asking her,
he’s telling her. Her hands are left sitting in her lap; not clenched in anger,
not twitching with anticipation, but limp with defeat.
The
minute hand on the clock has moved a couple degrees, and he finally notices
something. He says something to her and reaches his hand out. She looks up with
her eyes, but her head is still down. Her hands are still in her lap.
“Are you sure
about this?” He tells her yes, and there’s something else. He reaches in his
pocket for something. The dread in me, for whatever reason, begins to build. He
stands up and walks to her side. He kneels. I don’t even have to tell you what
he says next. It’s universal western body language: he’s proposing.
Her
head falls and I hear a sob. This catches the attention of the grandmother,
who’s been talking with her husband. He looks, but they decide to attend to
their own affairs.
The
young woman is now sobbing openly. Not knowing what to do the man just stands
there. As I’m watching, a sort of loathing or disgust rises up in me. Tell her you love her, you dope! Say “It’s
all right, I’m here for you.”
But then it hits
me. He’s not there for her. He wants her to support him be there for his sake. As
this is racing through my mind, he stumbles back. Without a further word he
turns and exits the building.
“Jeff,
are you going to get back here or-” I don’t give Bobby a chance to finish. I
load up a plate and step out of the kitchen.
I
don’t say anything. If I did I know I’d have made an idiot out of myself and
only embarrassed her more. How do you approach a hurting person? Trying to step
lightly with my oversized feet, I slide into the seat across from her and set
the plate in front of her. She has composed herself a little now, and looks
upward to make eye contact. I smile in what I hope is a reassuring manner and
give a little nod.
I know that, at this point, words are useless.
She nods a thank-you and hesitantly takes from the plate, even though she’s not
really hungry. I just hope that I can help by keeping her from being alone.
Copyright Jackson Kerr, 2012
Copyright Jackson Kerr, 2012
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